Abhijit Pandit was born in 1960 in Mumbai. By the time he was in his teens, he was apprenticing at his family-owned print shop plus learning German. In the early eighties, he had worked at a few other printing presses in and around Mumbai, and he realised his true calling: ink on paper.
His forte was offset. He was my "go to man" for anything I needed to know about offset print. Thanks to his training at the Hauchler Studio, Biberach a.d. Riss he was exposed to the skillset which "only the Germans can provide" he said. Besides being hungry for knowledge, he was bright and had a high Mensa-type IQ. In 1987 he got a scholarship as a technical print master at JGS in Stuttgart. On cue he completed his REFA, ADA, Fachhochschulreife.
He worked long hours in many German presses getting his hands dirty with ink plus getting "a peek into how the Germans work on their machines". In the nineties, he acquired a reputation for being a master printer about sheetfed commercial or packaging or UV, as well as coldset newspaper printing and heatset magazine printing. I recall him printing a 200 lpi job with spot varnishing on a SORDZ. He said, this is nothing, I have also done a 300 lpi job.
When the prodigal son returned to Amuchi Mumbai, his family print shop became his R&D lab. And although, he was "officially production manager with 40 workers", what Pandit strove for was creating a viable Indian template for plant audits where "illiterate operators could test inks and test machines and produce German quality in Indian conditions".
Even in the nineties, he was talking about creating a spreadsheet solution for quality analysis. But to most people this was gobbledygook. Most didn't understand his tech talk; and those who did preferred working with expat technicians. He was a tormented soul. He loathed mediocrity. He loathed the chalta hain attitude. He said, I have no talent for print life in this country, it seems. So he found solace in conducting seminars and workshops on quality and standardisation. At times these sessions were designed for DIC Inks and their handpicked customers. At times, it was training tutorials on the shopfloor of select printers. But I overheard him mention to someone, "People nod in the front row but I don't think they will implement any of these things."
He enjoyed a long innings with Manugraph and later TechNova. He said both companies genuinely believed in one-to-one tech advice and mentoring sessions for customers. Otherwise everyone sought "free gyaan which they could ignore".
At the turn of the century, Pandit shifted his focus onto pre-press. He mentioned, "A good printer should be comfortable with CTP, and its associated technologies. I don't say I am the one who can handle the various workflows, but I can certainly control the halftones and understand the applications." And he believed every master printer should know how to do this.
He said like Arjun in the Mahabharata who had the bird's eye in his sights, his point remained "the same". I asked him, what was his goal? He replied, from the day we met first to now it has always been quality and standardisation of the print process, through proper and focused training of the manpower". This was Abhijit Pandit's forte, so to say.
Abhijit had a troubled and chequered personal life but technically he was one of the sharpest persons on the shopfloor that I knew. He hated carelessness and negligence. "Our people are good. But the Germans are scientific, and print, ultimately is science. You have to master the rules. There are no shortcuts"
The last time we met, he said, "It's a pity that all my qualification, education, experience and passion, could not create an equation - like a magic mantra - that could transform our industry into a better place."
He had bagged two new assignments, "Times are certainly changing. Bob Dylan has won the Nobel; and I am becoming a noble soul." He added, later in the night, "I am single with no strings attached except for my "Halftone" dots or the "Rasterpunkte", I am free to move wherever life takes me."
RIP Abhijit Pandit. May you create halftones in heaven.