How do you use your UV curing system?
Rahul Kumar talks to print service providers from Delhi-NCR who are making a difference using conventional UV systems, even as LED UV is being hailed as the future of print finishing.
18 Apr 2018 | By Rahul Kumar
New Delhi-based Standard Cartons specialises in UV jobs for pesticides manufacturers. According to Basram Bairwa of Standard Cartons, the demand for UV comes from customers and its requirements vary from job to job. “Most of the time, we match customers’ samples with our print products,” he says.
Standard Cartons
Standard Cartons is a Gurugram-based corrugation unit which established a printing unit in Okhla Industrial Area, New Delhi, around a decade ago. Basram Bairwa, who is responsible for print production at Standard Cartons, says the company prints on metallised boards and other flexible media, adding, since there is UV curing and coating, printing substrates hardly matters.
Standard Cartons has installed UV curing and coating systems from APL Machinery on its six-colour Heidelberg CD 102 printing press. Bairwa says printing substrates, printing inks, setting of lamps and lamination play major roles. Thus, all these must be in an accurate manner to produce best jobs.
“Most of our jobs are on metPET sheets and for this, UV curing is a must. We do UV coating on four-colour commercial jobs too. These days, we are witnessing a demand for textured hybrid UV coating on conventional jobs to make it attractive,” he adds. Currently, the company prints on duplex, polypropylene (PP) and paper.
The company runs both conventional and UV jobs on the same press. “It gives us time for changeover and it keeps our rollers and blankets in good health. When we change printing press from conventional to UV, we clean the printing press with caution, rubber rollers and blankets too. Combi blankets and rollers are also available in the market,” Bairwa says. However, with each job, chiller water and IP value are changed. In some jobs, the company uses full gloss. For this impact, five-colour printing is the same, with five printing plates and no plate for gloss.
The system has five UV lamps. First is after the first printing unit which prints white, two floating lamps can be installed in any of the print stations and the rest two are at end of the press.
Sairam Creations
Sairam Creations is a partnership entity. Mukesh Munjal, Ashok Nagpal and Rajesh Gupta are the three partners. The company, which got into UV curing in 2015, has specialisation in pharma printing. Around 95% of its print production is for this segment. The rest 5% has a mix of customers.
The company has installed four UV lamps from APL Machinery on a pre-owned six-colour Heidelberg CD 102 printing press. Khurram Suhaib Hasan, production head, Sairam Creations, who has two decades of hands-on experience in printing, says, earlier lamination was used but UV is both cheaper and faster than lamination.
The first lamp is after the first printing unit (to cure white), the second lamp is installed at one of the four-colour printing units and rest two are at the end of the printing press. Two lamps are at end of the press to cure the entire sheet.
“Our ratio between conventional and UV jobs is around 40:60. We have two print production units in the same industrial area and one is dedicated for UV print production,” Hasan says. “Most of our jobs are short-run and the number is high. The average run length of the job is 5,000 sheets per job.”
More than 95% of these jobs are on metPET. The company also prints on polypropylene. “We have printed jobs for Thums Up on metallised sheets,” he says, adding that processes vary from jobs to jobs but usually, the company goes for metallised polyester lamination first, then five-colour printing and later hybrid UV.
“We advise our customers for UV applications and today, around 40% of our customers opt for UV. Polypropylene is in demand because of UV curing and coating,” he says.
Hasan adds that metPET UV jobs are ten times expensive compared to conventional printing due to the cost of metallised polyester coating, higher cost of printing inks and consumption of more electricity.
Again, using UV on a shopfloor is a specialised job. “Thus, it has to be used with precautions. We ensure that our operators are equipped with essential tools like mask, glasses and the facility has proper air conditioning,” he adds.
Ipack (VK Box Industries)
Established in 1975, by Manohar Lal Malhotra, VK Box started using UV by printing jobs for mobile manufacturing companies, especially for accessories like headphones, batteries and others. This was handled by a sister concern Ipack, started by the second generation Naresh Malhotra in 2011 to focus on the rising mobile packaging market.
For this, last year, the company scaled up its UV business in terms of quality and quantity by bringing in a six-colour Heidelberg CD 102 plus coater printing press and installing six UV lamps from Alpna Visual Pakcaging Aids. Of these, three are interdeck and rest are at end of the printing press.
“We wanted to produce UV jobs at the speed of 10,000 sheets an hour or more. So we put three lamps at the end of the press. Sometimes it becomes tough to dry at high speed. Three interdeck lamps are located after first, fifth and sixth printing units,” Naresh Malhotra says. “We installed the Heidelberg so that we can finish drip-off UV jobs in one go. And thus, we could increase quality and quantity both.”
The company has four printing presses and three of them are equipped with retrofitted UV curing and coating systems. The company has a capacity to print 1,00,000 sheets per day but presently are running the system at 50%.
“We have dedicated presses for UV jobs because change-over takes time. And cleaning the press is a challenge. If it is not cleaned properly, it will reflect in the next job,” he adds. For conventional jobs, the company uses non-baked printing plates and for UV, it uses baked plates. “During interchange, conventional printing plates did not work and we had to use baked plates for conventional too. It was a waste of time and an unnecessary expense. Later, we decided to dedicate a printing press for UV jobs only,” he explains. “Initially, jobs were not sufficient to run the machine, but nowadays, we are running only UV jobs on it.”
Malhotra says metallised printing was the first where UV curing was required. Now, flexible materials like PP (polypropylene), PVC (polyvinyl chloride) and PET (polyethylene terephthalate) and to a certain extent polycarbonate are in demand. Met vinyl is also in demand.
On the subject of coating, two of the company’s presses are with anilox rollers, which help to decide the volume of coating. The rest are without anilox. This gives the company a better control in print production and costing. It does flood coating/ flat coating/ full UV, drip-off with gloss. Plus, design possibility increases because of UV coating. “We have a strong infrastructure for UV curing and coating, including professionally trained graphic designers,” he says.
Next, the company is focusing on flexible media and for this it will have to switch to LED UV. “Flexible printing substrates are heat-sensitive and its shapes can change because of the temperature of UV lamps. Since there is no heat in LED, it is the best solution for flexible substrates,” Malhotra says. He, however, agrees that LED printing inks are expensive and flat and drip-off coatings are not available for LED.
Vee Aar Packers
Last year, Vee Aar Packers installed a five-colour Heidelberg CD 102 online plus coater printing press and with UV lamps from Alpna Visual Packaging Aids. Mudit Gupta of Vee Aar Packers says because of UV, the company can now print on PP (Polypropylene), metPET and other substrates.
“The extended delivery in the machine also gives us an edge as it helps in higher gloss in UV coating, which is not possible with short delivery machines even when the same UV varnish is being used,” Gupta says.
He adds that for UV, funds and electricity are the major challenges when you opt for an up-to-date fully equipped UV curing system to attain faster curing, better quality and higher production.
Hybrid, texture and drip-off are common nowadays but demand now is for good quality UV printing jobs. “We have a ratio of 80:20 in UV and conventional. We do not want to focus on non-UV jobs because changeover is time consuming,” Gupta says, adding, “We are growing more than 20% year-on-year. In the current year, it will be more than 100% because of the new five-colour press.
"With the new Heidelberg machine, our capacity to print UV has now increased from 6,000 sheets per hour to a whopping 16,000 sheets per hour, which helps complete a UV Job within 48 hours," he adds.
Takeaways
As the saying goes, one bird in hand is worth two in the bush. So until LED UV becomes affordable and easily available, it is possible to do impressive print enhancement work with conventional UV. This is exactly what’s happening. Currently, conventional UV is popular in India, and it will continue for a while. The idea is to do it intelligently, focusing on the work you are doing and how UV can help enhance it.